NEW
- 15.07.2006
Marc
Lowe
©
Marc Lowe 2006

Jagged
Edges
She sat on the bed and watched. She watched
them through a narrow chink in the wall. The boy had his arm
around the girl. He was whispering something into her ear. The
girl giggled and covered her mouth. He moved closer. She pushed
him away. He tried again. She refused him again. He stopped
smiling. She stopped smiling as well. They stared at each other.
She began to sweat. Dinner! the girl’s mother cried. Coming!
she responded. She strained to see what would happen next. The
boy stood up. He was holding something in his hand. She couldn’t
see what it was. It looked like a straight razor. Perhaps he
was going to shave? Her heart was beating fast as she watched.
She knew she shouldn’t be watching. It was none of her
business. Dinner was ready. But she couldn’t stop watching.
The boy lifted the razor into the air. There was no sound. She
could not see the girl anymore. The rift in the wall was just
too narrow. Then there was sound. It was the sound of groaning.
What were they doing? Her mother’s voice rang out again.
It’s going to get cold. Come down this instant! Yes Mom,
she replied, one ear to the wall. The groaning had stopped.
She peered through the small fissure again. She thought she
glanced something. It was flesh-colored. It was a bit bluish
around the edges. The sound of footsteps. Another bit of flesh.
Pink and puffy. She turned around. Her mother was standing in
the doorway. One hand rested on her hip. She was holding something
in the other. It wasn’t a razor. It was an envelope. The
envelope had been torn open. A piece of paper peered out from
it curiously. It was a letter. Her mother must have read it.
Her mother’s face was stern. It was reproachful. The girl
on the bed gasped. The back of her neck had been spattered with
something. She wiped her neck with four fingers. Then she looked
at them. They were wet. The wetness was translucent. It didn’t
give off any distinct smell. It might be spittle, she thought.
Or maybe water. Her mother approached the bed. She held out
the envelope. One hand was still poised on her triangular hip.
This is for you, she said. The girl took it with her dry hand.
She held her breath. There was no return address on the envelope.
She grasped the pointed corner of the letter. Her hands were
trembling. It was quiet in the room now. She pulled the letter
out. The inner edges were jagged. They looked as if an animal
had gnawed on them. She opened the letter. Her mother was eyeing
her. She was tapping her foot. Her mother tapped her foot whenever
she was nervous. What was she so nervous about? The girl smiled
at her mother nervously. Her mother did not smile back. The
girl unfolded the letter with the serrated edges. She looked
at the letter and swallowed hard. There were only seven words
written on it. They were not words her mother would approve
of. They made the girl blush. She did not know who had written
the letter. She wanted to know. She wondered if it was the boy
next door. Her mother was staring at her. Perhaps her mother
was waiting for a response? What could she say, though? She
didn’t know who had sent the letter. She felt ashamed.
She didn’t know why she felt ashamed, but she did. She
imagined the boy next door doing the things in the letter to
her. Her face turned red. It was hot. Her mother took a step
forward. She raised her right hand to her left ear. Then she
hit her daughter. She slapped her with the back of her right
hand. The sound both frightened and excited the girl. She had
never been hit by anyone before. Her mother was panting. Her
face was redder than the girl’s own face. The girl wondered
if her mother was excited too. Her mother grabbed the letter
from her hand. She crumpled it up and threw it on the bed. The
girl put her hand to her cheek. It was warm. It throbbed. She
liked the feeling. She wanted her mother to slap her again.
Instead, her mother left the room. She didn’t close the
door when she left. The girl watched her mother go down the
stairs. She could see her through the opening in the door. Her
mother was crying. The girl picked up the crumpled letter. How
had the edges of the letter gotten so jagged? She looked through
the space in the wall. It was dark. She wanted to know who had
sent the letter. She could smell fish. She was hungry. Her mouth
watered. She suddenly wanted to lick the crack in the wall.
She could almost taste it. There was no movement on the other
side of the wall. The light had been turned off. She moved her
face close to it. She stuck out her tongue. Her face was spattered
with liquid. The liquid came from the crack in the wall. It
tasted salty. It was salty and wet. She peered through the space
again but couldn’t see anything. Everything was black.
Should she call out? The smell of burnt fish drifted into her
nose. Dinner must be burning. She didn’t care. She wanted
to lick the space in the wall. She wanted to taste more of the
salty liquid. Her desire was overwhelming. She stuck her tongue
out again and pressed it to the crack in the wall. The wall
did not taste salty. It was not wet. It was dry as bone. It
tasted of plaster. She coughed and wiped her mouth. She wiped
it with the back of her hand. Now she was sweating. Her sweat
was wet. It was salty. She should go downstairs and eat the
fish. She should go and eat the salty burnt fish with her mother.
She should tell her mother she was sorry. She had made her mother
cry. She should throw the torn letter away and go downstairs.
She should throw away the filthy letter with the jagged edges.
She picked up the letter and looked at it again. Then she started
to feel funny. Her heart was beating fast. Who had written the
letter? She looked around the room. There was a hammer in her
closet. It was in the toolbox. Her father had put it there.
She got up from the bed. She was sweating profusely now. The
room was hot like a factory. The air was thick with gray smoke.
Why hadn’t she noticed the smoke before? She began to
cough. No matter. She needed the hammer. She opened the closet.
The toolbox was there, beneath a stack of clothing. She opened
it. She took out the largest hammer in the toolbox. It was heavy.
She wondered how it would feel to be hit with the hammer. She
wondered whether it would hurt very much. She wanted someone
to hit her with the hammer. The hammer was very large. She put
the head of the hammer into her mouth. It was cool and metallic.
It made her gag. Then she pulled the hammer out of her mouth.
It was wet with her saliva. This thought excited her. It made
her feel tingly inside. She dropped the hammer and climbed onto
the bed. She picked up the furrowed letter and ran her fingers
over its serrated edges. One of her fingers started to bleed.
She wiped some of the blood onto either side of the letter.
She licked her salty finger. The letter slid off the bed and
onto the floor. The sound of footsteps. She knew she had to
act quickly. She picked up the hammer. It only made a small
dent the first time. The second time it made a hole the size
of a quarter. Pieces of plaster fell onto the edge of the bed.
She turned the hammer around. She pulled it like a lever. The
wall soon gave. The crack opened wide. She heard a familiar
noise and jumped inside. Her father entered the smoky room.
He saw the crevice. He saw the plaster. He saw the blood. He
picked up the stained, crumpled letter with the jagged edges
from the floor. Then he wept. His tears were wet. They were
salty. He knew they wouldn’t bring her back.
<end>
Marc
Lowe
©
Marc Lowe 2006
Marc
Lowe's prose/poetry has appeared or will soon be appearing in
elimae, Internet Fiction, Mindfire Renewed, MonkeyBicycle Print,
Opium Magazine, Pindeldyboz, Thieves Jargon, and others. Having
completed a novella in mid-2005, he is now working on an equally
oblique follow-up. Marc teaches English to businesspeople in Japan,
and is a Working Stiff editor at Mad Hatters' Review. His home
on the web is at http://www.malo23.com


This
material is copyright © Retort Magazine/Individual Artists/Authors
2001-2006 - no reproduction of this material is permitted without
express written permission from Retort Magazine and/or the Author/Artist.
DISCLAIMER | CONTACT
| LEGAL
| SUBMISSION
GUIDELINES | ARCHIVES
| RETORTMAG INDEX
|